SEATTLE ATELIER NAME TAKEN BY WHITE NATIONALISTS
A very real connection between the classical ateliers, Nazis and big tech. Is anyone surprised?
Andrew Conru who is partnered with Figure Ground Art Advisors and Gage Academy of Art conspired to take my business (Seattle Atelier). I opened my classroom 11 years ago and Gage Academy of Art has done everything it can for to close me down. The people from Gage are now apparently partnered with white nationalists to do it.
The Guardian story about the principal benefactor of the new Seattle Atelier, the partner of Figure Ground Art Advisors and Gage Academy of Art in Seattle and the creator of the Art Love Salon,
Andrew Conru
LINK TO THE STORY (Oct. 16, 2024)://www.theguardian.com/world/2024/oct/16/revealed-international-race-science-network-secretly-funded-by-us-tech-boss
“What is white identity?”
Conru continued:
White Nationalism and Racist Eugenics
Human Diversity Foundation
PIONEER FUND
Pioneer Fund
https://en.wikipedia.org/wiki/Pioneer_Fund
Link to American Renaissance
https://www.amren.com/
Link to Aporia Magazine
https://www.aporiamagazine.com/p/what-historical-event-should-all
Link to Center for Immigration Studies website
https://cis.org/
Note: After having given so much time and effort as a teacher and volunteer to Gage Academy of Art in Seattle I am, once again, deeply disappointed by how corrupt they are.
They’re happily staffing this school founded in my stolen business name from the classical ateliers at Gage and it is obvious that they hoped this partnership would permanently close me down and erase my work. Something they’ve been trying to accomplish for 11 years. This is exactly the kind of dishonest behavior I have come to expect from them.
Here is a quote from the new cultural partners of Gage about the superiority of Europeans compared to Africans, using art to demonstrate. This publication was entirely made possible by a “generous grant” from Andrew Conru
From: “Why Ideology and not Science Dominates Debate on Ethnicity and Race in the Modern World” by Simon Webb
'Within a few thousand years, the blink of an eye, compared with the time scale to which past changes had been measured, the hybrids had become transformed into what was almost a new species. The difference between this emergent breed and those which had gone before was breath-taking. Looking at Illustration 21, we can see the sort of art produced by the Homo sapiens before they left Africa. These are nothing more than doodles, consisting of scratches which signify little other than a vague awareness of the concept of symmetry. In what will one day become Europe, the Neanderthals who lived there before the coming of the hybrids were also producing nothing more than similar random scratches and the occasional pattern of straight lines on the wall of a cave.
Within a few years of the arrival of what we might as well call Homo sapiens + in Europe, works of art like that seen in Illustration 22 were being crafted. It is obvious that whoever made this strange object was quite simply on a different intellectual plane from those who had gone before. For one thing, this figure, known as the lion man, is representative, rather than merely decorative. It is meant to portray something. Not only that, it is meant to show us something not in the real world, but a figure which existed only in the mind of the creator. Neither he, or she, had ever seen a man with the head of a lion; it had been imagined and then the pure thought had somehow been made manifest for all to see. This achievement, showing in solid form an image which had been conjured up in another person’s mind, showed the immeasurable gulf which separated Homo
sapiens + from their ancestors.”
(Page 385- 386, The Equalitarian Dogma, Simon Webb, 2021).
From the frontispiece of the book:
From Aporia Magazine:
From the HOPE not hate article, linked above:
Conru’s fully funded experiment along these lines is called Seattle Atelier under which The Seattle Prize is housed. This is being done at the same time that he is removing Queer and BIPOC voices from the culture.
From Aporia Magazine
HOPE not hate article
In light of the art theory funded by Conru (by Webb) who makes the assertion that Africans are not human, not Homo sapiens, and therefore incapable of making human art, Conru’s touting of a philosophy called “Rehumanism” suggests that it is an attempt to prevent a slip into a subhuman state culturally via his program.
