Wednesday, January 26, 2011

Workshops requested by Juliette Aristides.

Michael Lane teaching Juliette Aristides, Seattle Atelier



Gilbert Stuart's Palette
National Portrait Gallery
Smithsonian Institution

This Spring I will be teaching workshops on historic grounds/imprimaturas and palette settings (the pedagogy of ArthurDeCosta) in the Juliette Aristides Classical Atelier in Seattle.
I'm happy to have been asked by Juliette to present this series of lessons and excited to work with her and so many students who have been drawing for a while on this intensive series.
We will be covering bolus earth grounds and techniques based on certain 17th century Neapolitan painters and also the grounds and palette settings of many of the leading portrait painters of the 18th c.

Link to Juliette’s work. 






Thursday, January 13, 2011

Nelson Shanks Apprenticeship and Master Class at PAFA.

Michael Lane with Nelson Shanks. Seattle Atelier.

This image is from an article in "The Portrait Signature" magazine about my mentor Nelson Shanks.
In the article there is a mention of my successful efforts to create a "master class" at the Pennsylvania Academy of the Fine Arts (the first such class ever offered at PAFA) which would include an exhibition in the museum.
That is how I got to know Nelson.
His home and studio were located 20 minutes from Philadelphia and there had always been talk around the Pennsylvania Academy of his, then defunct, apprentice-program.
When I first met Nelson he was telling me that he had never been invited to do anything at PAFA in all the years he had lived so close to the school. I thought that if I wanted to take a class with him that I would have to request the creation of one that he would be willing to teach so I took up a petition among the students and some of the faculty ( Al Gury, Deborah Deichler, Edith Neff and others) also signed it.
There was a new President at PAFA, Gresham Riley, and he was receptive to the idea, so I made appointments to meet with him to further discuss the possibilities of creating this kind of class.
When Nelson received a letter from Riley inviting him to teach a workshop/seminar at the academy, which would also include a solo show in the academy museum, he was more than happy to invite me over for dinner (risotto and beer) to get to know me.
The following morning, at 6am, I was back there working in his studio and I just kept returning day after day, each day proving my willingness to be there by working hard. I recall that I lost a lot of weight running for trains and working long hours and eventually stayed there but the education I received was better than I had ever hoped for and I am very grateful to Nelson for taking the time to teach me.
Here is the entire article. 

Michael Lane apprenticeship with Nelson Shanks. Seattle Atelier.


Michael Lane apprenticeship with Nelson Shanks. Seattle Atelier. Painting by Nelson Shanks


Michael Lane apprentice to Nelson Shanks. Seattle Atelier. Painting of Luciano Pavarotti by Nelson Shanks.


Michael Lane apprenticeship to Nelson Shanks. Seattle Atelier. Paintings by Nelson Shanks.


Michael Lane apprenticeship to Nelson Shanks. Seattle Atelier. Home of Nelson Shanks. Lane and Shanks together.



Nelson Shanks at Pafa. Michael Lanes apprenticeship. Seattle Atelier
Nelson in the Cast Hall of the Pennsylvania Academy of the Fine Arts teaching the first Master Class held at the school. The cast hall and two large studios off of it were filled to capacity for the program. 
(Image from the artist’s website). 


A letter from Nelson Shanks. 9/8/2003



A partial list of artists with whom Nelson Shanks studied closely:
Wilbur Niewald
Edwin Dickinson
Henry Hensche